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Horror, Horror, Horror

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All about the gruesome and macabre.

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Gondolas in Venice; Actual size=240 pixels wide

Above the Bates motel. Below Norman's mother.

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Psych is one of my favorite movies. I thinkk Alfred Hitchcock was a genious.

Psycho Fun Facts

- Considered for the role of Marion were: Eva Marie Saint , Piper Laurie , Martha Hyer, Hope Lange,Shirley Jones, and Lana Turner.

- The film only cost $800,000 to make yet has earned more than $40 million. Hitchcock used the crew from his TV series to save time and money.

- In 1962 exchanged the rights to the film and his TV-series for a huge block of MCA's stock (he became their third largest stockholder).

- An early script had the following dialogue: Marion: ``I'm going to spend the weekend in bed.'' Texas oilman: ``Bed? Only playground that beats Las Vegas.''

- Hitchcock bought the rights to the novel anonymously from Bloch for just $9,000. He then bought up as many copies of the novel as he could to keep the ending a secret.

- During filming, this movie was referred to as ``Production 9401'' or ``Wimpy''.

- Hitchcock originally intended to open the film with a four-mile dolly shot from a helicopter, a scene similar to Orson Welles' bravura opening of Touch of Evil (1958).

- The early motel scene between Norman and Marion (Leigh) resembles in many ways another scene from that movie featuring Leigh.

- The painting that Norman removes in order to watch Marion undressing is a classical painting depicting a rape.

- For a shot right at the water stream, the crew had to block off the inner holes on the shower head so that the water sprayed past the camera lens.

- The shower scene has over 90 splices in it, and did not involve Anthony Perkins at all. Perkins was in New York preparing for a play.

- During the shooting of the shower scene, Hitchcock arranged for the water to suddenly go ice-cold when the attack started.

- Hitchcock originally envisioned the shower sequence as completely silent, but Bernard Herrmann went ahead and scored it anyway and Hitch immediately changed his mind.

- The blood in the shower scene is actually chocolate sauce.

- The close-up of Marion's dead body and the pullback scene is a still frame. Hitchcock's wife saw the original version and told her husband ``You can see her breathing'', so he changed it.

- Hitchcock tested the ``fear factor'' of mother's corpse by placing it in Leigh's dressing room and listening to how loud she screamed when she discovered it.

- The last shot of Norman Bates' face has a still frame of a human skull inserted in it : is that of "Mother"

- There is a rumor that the this film was not passed for release because it was claimed that Janet Leigh's nipple was visible during the shower scene. Hitchcock didn't edit it out, but merely sent it back, (correctly, it seems) assuming that they either wouldn't bother to watch it, or miss it the second time.

- Hitchcock insisted that audiences should only be allowed to see the film from the start. This was unheard of back then as people were used to just coming in at any point during a movie. The reason for this was that the film was advertised as starring Janet Leigh, but her character is killed in the first half of the film.

- After the film's release Hitchcock received an angry letter from the father of a girl who refused to have a bath after seeing Diabolique (1954) and now refused to shower after seeing Psycho. Hitchcock sent a note back simply saying ``Send her to the dry cleaners''.

- The shot of Marion flushing the toilet is believed to be the first such shot in American cinema history.

- Marion hides in the bathroom to count the required number of bills.

- Goofs : Shadow of camera crew on the bed when Marion prepares to leave town with the money.

True or false??
(thanks to BubbCoop@aol.com)

-The Bates mansion is straight out of the painting ``House by the
Railroad'' (1925) by the American artist Edward Hopper.

- "Contrary to the assertion by some that the Psycho house...was based on a haunted house built in the early 1800's in Kent, Ohio, the designsof Hurley and Clatworth were original."-Stephen Rebello (Alfred Hitchcock and the
making of Psycho)

- Hitchcock paid the title sequence designer Saul Bass(also credited as ``Pictorial Consultant'') $2,000 to render storyboards for the famous shower scene but, according to Leigh and Assistant Director 'Hilton Green' (QV) ,
directed it himself.

- "Saul Bass was there for the shooting, but he never directed me. Absolutely not. Saul Bass is brilliant, but he couldn't have done the drawings had Mr. Hitchcock not discussed with him what he wanted to get."-Janet Leigh

- The sound that the knife makes penetrating the flesh is actually the sound of a knife stabbing a watermelon.

- 'He told the prop man to go out and get a watermelon which we'd stab. Knowing Hitchcock, the prop man knew he had to come back not only with watermelons of all sizes, but casabas, cantaloupes, and honeydews'...In a recording studio prop man Bone quditioned the melons for Hitchcock, who sat listening with his eyes closed. When the demonstration table was littered with shredded fruit, Hitchcock opened his eyes, and intoned simply: 'Casaba.'"-Stephen Rebello (author)

Who could forget the kooky Barnabas Collins?

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Nottingham and Irons enemy or friend?

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The Witchblade is a weapon of vast power that has existed for untold centuries. The Witchblade itself is not a blade of any kind, but a gauntlet that houses a spirit with a dark side. However, the Witchblade battles its dark side every generation by attaching itself to a new human host who is pure of spirit and always female. The WITCHBLADE is a mystical gauntlet that bonds to the skin of the user giving her special powers, not to mention special enemies. Sara Pezzini (star of witchblade) had the fortune/unfortune to aquire this item. Past beareers have included Joan of Arc.

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Frankenstein is another classic to all ages. He was played by Boris Karloff after Bela Lugiosi refused the role.

One of the first and best draculas, Bela Lugosi has scared many.

A family on vacation; Actual size=180 pixels wide

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Nosferatu as the first real rendition of Dracula gives us a clearer picture of what Dracula would be without all the oversized fangs, blood, capes, & modern effects time has bestowed upon it. Murnau not having any other Dracula remakes to base his production on has stuck pretty close to the story Bram Stoker published in 1897. The actor who plays the vampire, Max Schreck, gives us a brilliant performance that leaves you believing he had a dead mans curse upon him. His features differ from those we are accustomed to such as his fangs being in the middle of his mouth rather than the sides. His make up, clothing, & mood give us the truly eerie & frightful feeling needed to fully enjoy this film.

The story begins in Bremen, Germany where Knock (Alexander Granach) a real estate agent, sends Hutter (Gustav von Wangenheim), his employee, to visit the castle of Count Orlok to aid in his purchase of a house in town. Murnau begins to show us signs of what is to come. From the townspeople reactions to the very mention of Orlok's name & the way the animals seem to sense his presence.

Murnau demonstrates some advanced story telling by interlacing events simultaneously. He shows Hutter's wife in Bremen crying out a warning to her husband while Orlok approaches, which causes Orlok to turn away. As Hutter sensing his danger flees back home we see three scenes being simultaneously carried out. Hutter traveling home by coach, Orlok traveling by sea, & Hutter's wife restlessly waiting for her husbands return.

Upon the ships arrival into town the only one to emerge is Orlok himself. The entire Crew has "sickened" & died, leaving the townspeople to blame it on a plague. Knock is stoned while creeping about on rooftops by townspeople panicked about the plague. Hutter's wife is the one who saves the city with a selfless sacrifice. Upon learning that the sure way to kill a Vampire is to keep him out past the cock's crow she entices him to her bedside till dawn. Which Orlok finds is too late.




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Another classic horror, Halloween, made Jamie Lee Curtis famous. It was a cold Halloween night in 1963 when six year old Michael Audrey Myers brutally murdered his 17-year-old sister, Judith Margaret Myers. He was sentenced to the Smith's Grove-Warren County Sanitarium for his brutal crime. There, he remained locked away and dormant for 15 years.
But on October 30, 1978, things are about to change. While being transferred for a court date, a 21-year-old Michael Myers steals a car and escapes Smith's Grove. He returns to his quiet hometown of Haddonfield, Illinois, where he follows three young women.
Seventeen-year-old Laurie Strode is a quiet bookworm, preferring babysitting over parties. As she goes about her school day, she finds her mind playing tricks on her. Her friends, Annie and Lynda, are busy thinking about the fun of Halloween night.
That evening, Laurie and Annie are babysitting across the street from each other. Laurie has to keep an eye on comic-loving Tommy Doyle, while Annie watches "little Lindsey Wallace," obsessed with the television. Little do they know, Michael Myers has come home to kill. Carefully, he murders Annie first, followed by Lynda and her boyfriend Bob.
Their only hope is Dr. Loomis, Michael's childhood psychiatrist who has followed Michael's trail back to Haddonfield. Loomis enlists the help of town sheriff Leigh Brackett, who happens to be Annie's father. The duo search the streets, but the bogeyman is close to his prize for the night: Laurie!

A pulsing finale will have horror fans screaming as Michael stalks innocent Laurie, praying that Dr. Loomis will rescue her. He is the only one who knows just what Michael is - pure evil!

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The exorcist is another horror classic you can't beat.Who will ever forget the little girl vomiting green puke?

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One of the new blood horrors but I think the book was better.

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The Shining is Stanley Kubrick's (loose) adaptation of Stephen King's best seller set in the Overlook, a haunted hotel in the Rockies, and featuring a boy with powers of telepathy and prophecy (the shining). Kubrick's camera is fluid and creates brilliant sequences: Jack Torrance and family haunted by a moldy corpse, his wife discovering a weird manuscript, a chase through a hedgerow maze, Torrance meeting ghostly bartender Joseph Turkel and the deterioration of Jack's sanity as chases his wife with an ax.

Vampires Around the World

Africa: asabonsam, obayifo
Australia: yara-ma-yha-who
Bosnia: lampir
Bulgaria: obur
China: chiang-shih
Czech Republic: upir
France: melusine, lamiai
Germany: nachtzehrer
Greece: vrykolakas
Hungary: lidérc
India: kali
Italy: vampiri
Japan: kappa
Malaysia: langsuyar, pontianak
Mexico: tlahuelpuchi
Myanmar: thaye, tasei
Phillipines: aswang
Romania: strigoi
Russia: uppyr

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A family on vacation; Actual size=180 pixels wide

Comics vampire vixen Vampirella

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King Kong (1933) While Lugosi and Karloff were duking it out, King Kong was making a horror heroine out of Fay Wray. Stop action animation and huge fur covered steel machinery were all employed to bring the monster to life. King Kong was and is one of the most popular horror films ever made.The first time it was shown on television, it was played 16 times in seven days by one New York City station. Having yeilded many sequels and a sorry remake, it remains a favourite even today.

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Child's Play- 1980 A film about a killer doll. The Lakeshore Strangler, Charles Lee Ray is being chased by police officers, after being found to be the culprit. He finds himself in a toy factory, and is shot in the toy factory whilst trying to escape. Knowing he is likely to be caught, he tranfers his soul into a "Good Guy" doll using his voodoo powers. The factory burns down, and "Chucky" is found by a homeless man who hopes to sell him. He sells Chucky to a poor mother who is looking for a special toy for her son, Andy at Christmas. Andy soon grows suspicious as the doll takes on more human and vicious characteristics. Andy tells his mother but no-one believes him. He is taken to a psychiatrist due to what people believe are visions. It becomes clear throughout the film that Chucky needs Andy's body to transfer his soul into, before his time in the dolls body runs out. The film revolves around him trying to do this by executing people in the most gruesome and grisly ways imaginable. Chucky is stabbed, beaten, burned and maimed countless times but in true Michael Myers style he always manages to come back! Child's Play is a classic comedy horror, and I feel wrongly blamed for violence by teens and children. It has been an easy target for blame as it uses a childrens doll as the killer. With Brad Douriff as the voice of Chucky and playing Charles Lee Ray

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Who Is Elizabeth Bathory?

Some call her the queen of blood. Others call her the first true vampire. Whatever her label, Elizabeth Bathory has gone down into the history books as a sadistic woman, and whose horrific crimes have made her one of the most infamous women in vampire lore.

Elizabeth Bathory was born a noblewoman in 1560. Her family held lands throughout Transylvania, and were considered one of the most powerful families in the country. When she was teenager, she was betrothed and married to an equally powerful nobleman by the name of Count Ferencz Nadasdy. Throughout their marriage she took many lovers.

At age 25, Bathory began to be terrified of growing old and losing the beauty that she had come to depend on so greatly. After Count Nadasdy's death in 1604, she moved to her family's lands in Vienna, where her obsession would quickly grow dark and evil. Bathory had by this point in her life, according to some accounts, begun to dabble in some forms of sorcery, attending rituals that would include the sacrifice of horses and other animals.

Bathory's personal obsession with blood started quite harmlessly, by all accounts. One of her servant girls had not been performing to her standards, so Countess Bathory struck the young servant girl in the face with scissors. The servant girl's blood sprayed across Bathory's hands. When the Countess went to rinse off the blood, she felt her skin looked smoother and younger than it had in years. The tenuous connection between blood and youth had been made, and it was from here that she began her bloody descent into evil.

Convinced that blood, particularly the blood of young girls, was the secret to eternal youth and beauty, Countess Elizabeth Bathory began to devise scheme after scheme to provide herself with the blood, and therefore the youth, she so desperately sought. During her reign of terror, which lasted several years, some accounts of her murders number in the 600 region or more. Some of these six hundred women killed were noblewomen like Bathory, albeit of a lower station, that she persuaded to come and work for her.

The murders were not as simple nor as straightforward as you might think. Bathory did not deal in simpicities like slitting the throats of the young girls she killed. Most of these servant girls were tortured by Bathory for weeks or even months before they were killed. They were cut with scissors, pricked with pins, even prodded with burning irons onto sharp spikes in a cage hung from the ceiling to provide Bathory with a "blood shower".

No one, not even a noblewoman, can continue these types of crimes indefinitely without questions being raised. The year 1610 marked the first of the inquiries into her crimes. By December of 1610, she was put on trial for her crimes. It has been speculated that the trial was brought about so speedily not only to bring quick justice for the murdered girls, but also (and primarily) to allow the local government to confiscate her family's not inconsiderable land holdings. Many believe the main reason the noblewoman was put to trial at all was for this reason.

No one can accomplish such a venerable feat as six hundred murders alone. Erzsi Majorova, the widow of a local tenant farmer, has long believed to be both the instigator and the brains behind the procuring and the disposal of the murdered girls. Many other accomplices, not named, were also put to trial, and found guilty. All accomplices, including Majorova, were put to death, each by different methods depending on the roles they played in the crimes.

Due to her nobility, Bathory was not allowed by law to be sentenced to death. She was sentenced to life imprisonment at the top of her castle in Cachtice. Her small room had no windows, no doors, and only a small opening in the wall to allow food to be passed through. There were few slits for air, and that was the total of her contact with the outside world. Elizabeth Bathory died in that room in August of 1614.

Her reputuation as a vampire grew not only from her greed for blood to bathe in to maintain her youth, but also for rumours that surfaced during the trial. It was said she bit the young girls and drank their blood outright. Evidence of this was difficult to come by as her court documents were sealed after the trial due to their scandalous nature. They resurfaced later, but were never found in intact form.

Bathory's reputation as a vampire has been celebrated numerous times in film. The movies Daughters of Darkness (1970), Countess Dracula (1971), Blood Castle (1972), Ceremonia Sangrienta (1972) and La Noche de Walpurgis (1972) all have brought Countess Elizabeth Bathory's story to the big screen.

1913-1929

This was the beginning of the horror craze with two major booms; the first was the silent film craze in decade of 1910 in Germany and the second in the 1930's in the US with the advent of sound. This was the Age of Classic Monster's with a number of films featuring the acting talents of Bela Lugosi, Boris Karloff, Lon Chaney and his son Lon Chaney'Jr. The first period featured many silent films made in Germany, many starring Paul Weneger. With new technology came the talkies and later color. This era was best noted for some of the most timeless horror classics ever made.


Silent Chillers

The Student of Prague- (1913) Germany

Dir- Paul Wegener
A poor student named Baldwin decides to sell his mirror image to a man named Scapinelli, a stranger he meets. He then sees success and the love of a rich woman, yet his double begins to do some terrible things and he must act to stop him. The result is a tragic mistake as he has sold his soul to the devil. This tale would be remade twice over the next two decades but it was this version by Paul Weneger that helped set the trend for Germany's many silent chillers.

The Golem- (1914) Germany

Dir- Paul Wegener
Paul Weneger directed this tale based on Jewish legends he had heard while filming The Student of Prague. He would remake the film in 1920. For a more concise review please read the review for the remake below.
aka Der Golem

The Cabinet of Dr. Caligari-(1919) Germany

Dir- Robert Wiene
Long considered to be the first true horror movie, Dr. Caligari is the archetype mad scientist out to do evil deeds with the aide of a sleepwalker named Cesere. Cesere murders those whom the Doctor feels are too close to his evil deeds. The setting is both nightmarish and expressionistic in its use of exaggerated sets and weird angles. The shock ending is only the icing in a movie that literally invents a whole genre of horror devices- the mad scientist, the zombie, the helpless heroine carried onto the roofs.

The Golem: How He Came into the World-(1920) Germany

Dir- Paul Wegener
Before Frankenstein thrilled audiences Paul Weneger delivered this classic silent tale which even to this day remains as one of the most impressive German films of the period. Weneger stars as the clay man who is brought to life by a rabbi to help protect a Jewish ghetto from its enemies. The creature owes its life to sacred words contained in a star on its chest. The Golem is used for both good and bad deeds and ultimately rebels against the people, wrecking havoc on the very community he was created to protect. This classic tale was made a few years before by Weneger but this time he paid better attention to the classic tale and his direction greatly enhanced the look of this horror classic. As with The Cabinet of Dr. Caligari the effective use of setting, lighting, and direction helped set the trend for other German films of the period and with this we have one of the great classics of early German horror.
aka Der Golem: Wie Er in die Welt Kam

Dr. Jekyll and Mr. Hyde-(1920)

Dir- John S. Robertson
Of the dozen or so silent versions of this story by Robert Louis Stevenson, John Barrymore is best remembered as the spidery Mr. Hyde in this the most famous version of the classic tale. One of the first American made horror movies and readily available for audiences today. Also the first version to introduce the idea of two separate women for each of his personalities. Remade countless times.

Nosferatu-(1922) Germany

Dir- F.W. Murnau
In all of cinema history no villain has ever topped Dracula in darkness and evil and no version of the vampire has yet to match
Max Schreck as the dreaded Count Orlok. Considered to be the first vampire movie and as one of the most creepy looking vampires to grace the screen. Count Orlok swept through the German town of Bremen like as plague claiming the innocent until a fair heroine takes it upon herself to stop this monster. Schreck's rather stiff and corpse-like Count makes this film a pure classic and would forever be known. Remade in 1979.

The Phantom of the Opera-(1925)

Dir- Rupert Julian
After 70 years no one has yet to match the unforgettable presence of Lon Chaney as the disfigured skull-faced Erik, who courts a lovely young singer in the Paris Opera behind a faceless mask. A sad tale of a man who is driven into madness and becomes a monster due to rejection and hatred from those around him. Chaney's presence is unforgettable in such scenes as his appearance as Poe's Mask of the Red Death during the masked ball, the abduction scene through the catacombs of the opera house and the famous unmasking which even today packs a shocking blow. Phantom will be remembered as a classic horror and tragedy and Chaney's portrayal would setup an archetype that has yet to be matched even by today's musical version of The Phantom

The Student of Prague- (1926) Germany

Dir- Paul Weneger
A poor student named Baldwin decides to sell his mirror image to a man named Scapinelli, a stranger he meets. In exchange for this he is promised success and the love of an aristocratic woman. Yet when his doppelganger becomes an annoyance he actively seeks to halt it. What results is quite tragic as the stranger is in actuality the devil and Baldwin has sold his soul to him. This classic tale was told in Edgar Allan Poe's story William Wilson and makes a great early chiller for its wonderful setting and direction. Unlike its predecessor, this version had a better budget and better feel due to the many years of progress made in filmmaking. This silent remake would be remade once again in sound in 1935.
aka Der Student von Prague

The Cat and the Canary- (1927)

Dir- Paul Leni
This was the forerunner of those creaky, spooky old house films that became a staple of the thirties and forties. Based on a Broadway play the movie features Laura La Plante as an heiress who must spend a night in a creepy old house to collect her inheritance. This would be easy if it weren't for her scheming relatives and an escaped maniac known at the Cat. This classic tale features plenty of humor to make it less a terrifying tale and more of a horror spoof featuring some pretty funny gags. Like many films of this day it would be remade many times and copied frequently as this is one of the best of the silent chillers.


1930-1939

This was the beginning of the horror craze with two major booms; the first was the silent film craze in decade of 1910 in Germany and the second in the 1930's in the US with the advent of sound. This was the Age of Classic Monster's with a number of films featuring the acting talents of Bela Lugosi, Boris Karloff, Lon Chaney and his son Lon Chaney'Jr. The first period featured many silent films made in Germany, many starring Paul Weneger. With new technology came the talkies and later color. This era was best noted for some of the most timeless horror classics ever made.


Sounds of Horror

Bride of Frankenstein-(1935)

Dir- James Whale
The monster having survived the fire in the mill which had supposedly killed him is taken in by a blind hermit who teaches him to speak and falls under the evil influence of another scientist who influences him to demand a mate from Dr. Frankenstein. A rare sequel which is better then its predecessor, the film marks the reappearance of
Boris Karloff as the monster and Elsa Lanchester as both Mary Shelley and the classic bride we all remember. Remade as The Bride.

Dracula-(1931)

Dir- Tod Browning
Bela Lugosi will always be remembered as Count Dracula and in this his first film as the famous blood sucker we see the Count leaving his native Transylvania for the fresh blood of London. His stiffness and ethnic charm add to this classic; which would be his hallmark role for the next three decades. Remade at least once or twice a year since.

Frankenstein-(1931)

Dir- James Whale
Rarely does a monster draw more sympathy and love from an audience then does Mary Shelley's tragic monster.
Boris Karloff portray's Shelley's monster with a childlike grace that is a cinema classic. We all know the story, a mad scientist by the name of Frankenstein steals body parts and creates a man who his bent on murder due to his criminal brain. The monster kills a young girl and is hunted by angry townsfolk. Several sequels were to follow with Karloff returning as the monster.

Freaks-(1932)

Dir- Tod Browning
Tod Browning gives the viewers a look at a carnival sideshow and shows us a world where the freaks are every bit as human as we are. A midget inherits money and is seduced by a greedy aerialist into marriage. From there she hopes to poison him and run off with her lover yet is caught and hunted by the freaks for hurting one of their own. Browning wisely portrays genuine carnival performers as circus freaks and shows the audience that it is the normal humans who are the monsters and the freaks as normal. The film was released to an unfavorable audience and was banned in Britain for almost 50 years. The real tragedy was that Tod Browning was stigmatized from Hollywood for a number of years. The film is a real treasure that has finally found its recognition. The shocking last scene is a classic fright moment that has to be seen.

King Kong-(1933)

Dir- Merian C. Cooper & Ernest B. Schoedsack
King Kong will always be remembered as the monster on the rampage but even more it is a classic in every sense and will be known as an FX triumph.
Fay Wray plays the fair maiden who soothes the giant ape as he is taken from his island home to New York where he escapes and climbs the Empire State building where he meets his sad fate. Tragic and Endearing, Kong is so convincing that the veiwer forgets he is not real and sees him as a tragic victim of circumstance. Yet another classic that would be followed by inferior sequels and a rather awful remake.

M-(1931)

Dir- Fritz Lang
Set in an industrial darkworld, M is the tale of a frightened city which is held hostage by a child killer. The search is so intensive that the local crime organizations join in because the killer is bad for business. When found he is identified with the M that is placed on his back, soon after he is hunted down and revenge follows. A powerful German Crime/Drama that has great horror elements and will remain a classic of all three genres.
Peter Lorre's first film and a great career he would have.

Mummy, The-(1932)

Dir- Karl Freund
Boris Karloff once again sets the screen afire with yet another great performance as a classic monster. He portrays an excavated mummy who is brought back to life by a sacred Scroll. Ten years later the mummy, who is now in the guise of a scientist seeks to return his beloved princess with whom another modern woman reminds him of. All the elements are present is this wonderful classic horror film which would be disgraced by many inferior copycats and a Hammer remake

Raven, The-(1935)

Dir- Lew Landers
Bela Lugosi and Boris Karloff at their terrifying best, Lugosi is a mad doctor who wishes to wed a fair dancer he has saved yet is denied the request by already promised woman's father. The result is Lugosi indulging into his obsession for EA Poe by setting up a Pit and the Pendulum style torture for the father. A must for fans of Lugosi.

Son of Frankenstein-(1939)

Dir- Rowland V. Lee
Boris Karloff's final appearance as the famed monster, in this sequel to the classic movie we find Basil Rathbone playing the son of famed doctor who happens to discover the still living monster in the ruins of the laboratory. Lugosi is perfect as Ygor who has cared for the monster in the time before his discovery. Great settings and an impressive score only help to make this movie a classic.

Tower of London-(1939)

Dir- Rowland V. Lee
This elaborate period piece is a chiller. Rathbone is the power-mad leader who along with
Boris Karloff as the chief torturer play very evil and sadistic tyrants of terror. Vincent Price makes his debut as a horror icon portraying an ill-fated Duke. An outstanding cast is well used in this timeless classic.

Vampyr-(1932)

Dir- Carl Theodor Dreyer
A German-French production of Le Fanu's Carmilla is still considered a minor classic in the horror circle. A young man is asked to locate and rescue a pair of lovely sisters from the clutches of an old hag who happens to be a vampire. Unique camera work helps to create a spooky atmosphere for this early vampire film.

Werewolf of London-(1935)

Dir- Stuart Walker
One of the first werewolf movies has Henry Hull playing the unfortunate botanist who is bitten by a werewolf in Tibet. Yet is this version it is petals of a rare flower which will cure him of the curse. Intended for
Boris Karloff and Lugosi, Hull is not that great but Warner Olan is great as the werewolf.

White Zombie-(1932)

Dir- Victor Halperin
Bela Lugosi is at his frightful best as a voodoo master in Haiti who puts a curse on a bride-to-be Madge Bellamy at the request of a jealous jilted suitor. Afterwards Lugosi decides to take Bellamy for himself and spirits her off to a cliff-top castle where he hopes to dispose of the suitor. Lugosi's performance adds well to this independently made film.

1940-1959

The decade of the Forties was a mixed bag as the second horror boom in the US of the early forties was soon followed by the first major slump in the horror genre, due partly from the war and a creative dry spell after two decades of repeated monster movies. The major studios to have success were Universal with Son of Frankenstein and The Wolfman and RKO Radio Pictures, which would produce Cat People, The Leopard Man and Isle of The Dead. The British would release a notable film titled Dead of Night that would be released in 1945 due to Britain's ban on Horror films during the war.

The Fifties would become a new era in filmdom as horror would regain its place, yet often we would see crossovers into Science Fiction as both would share many common traits. This was the era of Atomic Monster and Communist Invasions and with the Red Scare we would see many films using mutated creatures and alien invasions. The venerable Jack Arnold directed many of the most noted films of this mixed genre. The real relief to horror would come in the latter part of the decade that would be the rebirth of horror film with Alfred Hitchcock, William Castle, Roger Corman and Henri-Georges Clouzet. .


Bad Seed, The (1956)

Dir- Mervyn LeRoy
Long before we were cursed by any Macauley Culkin movies, Mervyn LeRoy directed what has to be one the earliest and strangely funny evil child movies. Christine Penmark has what every young woman dreams of, a loving husband, a perfect home and a little girl who is a pure doll to look at, with pretty pig tails and a gentile manner she is the pride of her doting parent's eye. Yet little Rhoda Penmark is far from being the sweet little girl everyone sees. We witness her stealing a medal from a boy, lying to any adult who is gullible to believe her and possibly much more evil. Making matters worse are the recurring nightmares of Mrs. Penmark and their dire warnings that may be a clue to Rhoda's sick behavior. As the town becomes aware of Rhoda's behavior and actions, little Rhoda uses her sick influence to trick her mother and avoid blame and punishment. Ultimately Mrs. Penmark discovers her daughter's dark secrets and must then decide how to deal with them. Maxwell Anderson based the Bad Seed on a play, and when it was released caused quite a stir. The original ending was revised by the producers due to pressure from the Motion Picture Boards who objected to its twisted ending, the released version has one which I feel is much more appropriate and quite funny. Pay special attention to this ending and the cast credits that offer a most humorous conclusion. If little girls are indeed made of sugar and spice, this one has a little too much cyanide mixed in.

Body Snatcher, The (1945)

Dir- Val Lewton
Finely crafted atmospheric tale from Robert Louis Stevenson short story about a doctor played by Henry Daniell who is forced to deal with the sinister character Karloff in order to get bodies for experiments. Like many films of this type what we see is the medical ethic conflicting with the morals of society. Beautifully shot period piece sets the scene in the last film to team Karloff and Lugosi. Their scenes together are eerie and compelling. A great film that was one of the few notable horror films of the 40s and one of the best of Val Lewton's thrillers.

Bucket of Blood, A (1959)

Dir- Roger Corman
A standard Roger Corman quickie that does the job and manages to spoof the beatnik movement as well as the new craze of horror movies like House of Wax and Curse of the demon. A bumbling busboy has a fascination in art and tries a new and unique style. After accidentally killing a neighbor's cat he gets inspired to cover up the evidence with some molding clay. He then half wittingly murders people and covers their body with clay and displays them at his coffee house to get attention from the customers. All in the hopes of impressing the artistic types with whom he wishes to hang with. Yet with all idiots comes his eventual discovery and the finale is somewhat novel in his wanting to go out in style. In the style of Corman's more famous Little Shop of Horrors which he would make the next year. A real delight to those who want to see even more of Corman's early little known work
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Cat People- (1942)

Dir- Jacques Tourneur
I found myself enticed by the beautiful and exotic Simone Simon, the French actress who portrays the tragic Irena. The story begins at the zoo, where an exotic and charming lady named Irena draws a young ship designer named Oliver; she is strangely drawn to the panthers and sketches them with great pleasure. The two hit it off and they soon marry, however Irena becomes withdrawn and expresses her fear of intimacy. She believes she is one of the Cat People, a race of Serbian exiles who mated with panthers when the King drove them out centuries before. Oliver is distressed and turns to an associate for comfort, even though he loves Irena he discovers a jealousy that seems to posses Irena when Oliver turns to his coworker. When they turn to a psychologist he seems more interested in seducing her then helping poor Irena. The film boasts a number of excellent scenes including a chase where Irena seems to stalk her husband's friend as a human and a cat and a pool scene that is truly frightening. Although the remake focuses more on the sexual aspects of the story we find a beautiful film with great visuals and a decent script. The tragic conclusion is both enlightening and depressing in positive ways. This is a great film and I highly recommend it for those who have seen the 1982 remake. If nothing more them too watch the lovely and seductive Simone Simon. Grrrrrrr!

Creature From the Black Lagoon- (1954)

Dir- Jack Arnold
Arguably the most recent of the classic movie monsters and one of the most misunderstood. While on an expedition in the Amazon, a group of explorers discover a half-man/half-fish who is captured and later escapes. He then returns and kidnaps the fair woman onboard and takes her to his cave. The expedition would eventually find the cave and mortally wound the Gill Man. More then just a simple monster movie, The Creature was a complex intelligent individual, who was looking for companionship and understanding. The movie itself was full of steamy eroticism and in its day was pretty racy. Originally filmed in 3-D, the movie would lead to 2 sequels which never really lived up to the charm and originality of this film.

Curse of the Demon- (1958)

Dir- Jacques Tourneur
A psychologist who is skeptical of the supernatural finds himself in real trouble when he is marked for death by a black magician and to die at the hands of a hideous monster. A real scary film which is considered to be one of the best monster movies of the fifties. The demon was so scary looking that it was shown at the beginning against the wishes of its director as to not scare the audience, don't you just hate when they do that. Great acting, good use of plot and setting and a very well made monster contribute to Jacques Tourneur's classic. The movie was trimmed for it's US release and thankfully it is available uncut.

Dead of Night (1945)

Dir- Alberto Cavalcanti, Charles Crichton, Basil Dearden & Robert Hamer
Classic chiller involves a gathering of people who have experienced dreams which seem to repeat themselves in reality; talk about wild deja vu! The tales involve everything from phantom hearses to haunted mirrors. The final sequence with Michael Redgrave as a ventriloquist is a knockout. The movie progresses from great to outstanding as the tales go on and the twist ending is most enjoyable. Produced before the war and held up due to a wartime ban on Horror films, the Dead of Night is one of the best made Horror anthologies. American theatrical version ran 77 minutes, but a complete edition has been restored for TV. I recommend that you locate the fully restored version to enjoy the complete magnificence of this classic British thriller.

Diabolique- (1955)

Dir- Henri-Georges Clouzot
One of the most influential horror/thrillers of its day, Diabolique pretty much set all the standards by which most thrillers often imitate. The movie is set in France at a boarding school where the tyrannical Headmaster maintains an iron grip on both his students and employees. His battered wife and his former mistress both conspire to murder him and get rid of his body during a student holiday. They travel to the mistress's hometown and lure the headmaster to his wife where she poisons and drowns him in the bathtub. They then bring the body back to the school and dump it in the neglected pool, hoping to use his intoxication as an alibi for his death. A few days later the pool is drained and the body is found to be missing. In the course of the film subtle clues are found which lead the two to believe that the headmaster is either still alive or that someone knows of their deed. A retired investigator who wishes to find the real answers to the mystery then follows the wife. The finale is both shocking and well worth the wait. Over the many years since its release many films have imitated and /or ripped off the style of Diabolique. The style and overall technique is very reminiscent of an Alfred Hitchcock film, so much so that Hitchcock tried unsuccessfully to remake Diabolique. One of the most influential thrillers of the period, Diabolique still remains a great film that would inspire so many films and directors for years to come. Remade several times over the years, most recently in 1996 with Sharon Stone, Isabelle Adjani, Kathy Bates and Chazz Palminteri.

Fly, The- (1958)

Dir- Kurt Neumann
A man is found dead, crushed under an industrial press and his wife takes the blame for the crime. Facing most certain charges of prison, she is really hiding a terrible secret. Vincent Price plays the brother of the dead scientist and in his investigation he hears a most shocking tale that seems unbelievable. The scientist was working on a machine that teleported matter from room to room. Yet a tragic mistake results in his transformation into a monster, half man, half fly. Based on a short story by George Langelaan, The Fly boasted excellent special effects and great acting, especially Price and David Hedison who plays the scientist. Good nods to the director and writer for turning a simple and silly sounding tale and delivering an excellent tale of tension and regret. The ending in a classic and its infamous phrase "Help Me!" was even used in the remake. Followed by two sequels and a 1986 remake that really set new bounds in grossness. Price is indeed the master.

Horror Chamber of Dr. Faustus, The- (1959)

Dir- Georges Franju
Georges Franju directed this classic about a mad scientist who kidnaps young woman and removes their faces in the hope of restoring the lost beauty of hid daughter who wears a china mask. The movie display great settings and is beautifully photographed yet the dialogue seems tacked on. With its subtle blend of horror and poetry, the film carries with it an aura similar to Psycho and boasts one of the earliest gore scenes on record.

Horror of Dracula- (1958)

Dir- Terrence Fisher
In contrast to the many Dracula movies made a generation before director Terrence Fisher decided to employ a unique British flare to his Dracula film. Horror of Dracula was the first Dracula film produced by Hammer and the first to use the acting talents of Christopher Lee and Peter Cushing as Dracula and Van Helsing. The story was pretty much the same as Bela Lugosi's classic yet what made this film unique was that much of British history mirrored the caste systems and aristocracy of Eastern Europe. This tradition of closed doors and repressed desires made this Dracula a more sexually charged and dynamic feeling movie where Dracula's sexual prowess could be played up even more then before. The trip to the homeland was discarded for a more local setting that made use of England's many castles. This was the most ambitious Dracula to date and the best of the Hammer Dracula movies to be produced; there would be 8 sequels. Yet the acting talents of Lee and Cushing would prove to be a match made in Horror heaven for the studio of Hammer
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House of Wax- (1953)

Dir- Andre De Toth
This film was one of the best-made 3-D films and it was the efforts of Director Andre De Toth. He believed that if well employed, 3-D could be used as an extension of the movie to make it an even more satisfying experience. Vincent Price plays a mad sculptor who produces superbly realistic wax figures for his museum. With the adoration of his patrons no one is aware that the sculptures are actually real humans dipped in wax. The movie makes good use of the surroundings to create an atmosphere reminiscent of 19th century Victorian London. Although the movie was based on the 1930's film Mystery of the Wax Museum, House of Wax makes a radical change in the story by employing a finale more reminiscent of Phantom of the Opera, but I'm not telling..... A film that seems to bank entirely on the performance of its star and in this case was successful. Vincent Price was a great actor who starred in many classic films, yet he would always be typecast into horror roles. A real pity, for Vincent Price was a great performer with plenty of range.

House on Haunted Hill- (1958)

Dir- William Castle
William Castle is to gimmicks what John Waters is to sleaze, and his horror film The House on Haunted Hill would be one of his best. Vincent Price plays an eccentric millionaire who invites a group of people to a haunted mansion and bets them $10,000 to spend the night. The house is rumored to have been responsible for the deaths of seven people, so far... Using many of the classic haunted house tricks, we are witnessed to falling chandeliers, walls that drip blood, severed limbs, witches on roller skates and a cool vat of acid. We later learn his reasons are really meant for revenge as Price suspects he is about to be murdered by someone in the party. The real charm of the movie was its wonderful gimmick, called "Emergo" it employed a skeleton that was released from a box at the climax and flew over the audience. "Emergo" was meant to be the ultimate in thrills, pushing beyond conventional 3-D. What is certain was that Castle did indeed turn out a great film with many frightening moments and as for the gimmick, well I guess that is the only real letdown as you can't see the skeleton fly over your head, at on video anyway.....

Wolf Man, The (1941)

Dir- George Waggner
One of the finest and best-remembered horror films ever made: Larry Talbot (Lon Chaney, Jr) is an unlucky heir bitten by gypsy werewolf Lugosi, and survives to carry the curse himself. Outstanding cast includes Claude Rains as the unknowing father, Evelyn Ankers as his perplexed girl friend, but kudos go to Maria Ouspenskaya as the wise gypsy woman who foretells his fate and attempts to care for him. Although one of the last of the classic monster movies to appear it is Lon Chaney Jr's wonderful portrayal that leaves us with such a great and memorable monster classic. Literate and very engrossing, with superb makeup by the maestro Jack Pierce, atmospheric music (re-used in many other Universal chillers) by Charles Previn and Hans J. Salter with a script by Curt Siodmak. Followed by a number of sequels: Frankenstein Meets The Wolf Man being the first and a multitude of derivative imitations.


1960-1969

This was the golden Age for the big three horror production houses, AIP, Amicus and Hammer. With these studios we would see the talents of Christopher Lee, Peter Cushing and Vincent Price. We would also see the birth of the gore film with Herschell Gordon Lewis. The period would also see some of the best films of Alfred Hitchcock, Mario Bava, Roman Polanski and a multitude of quickie horror films by Roger Corman. We would also see the first film of George Romero and the rise of Italian Zombie copycats.


Birds, The (1963)

Dir- Alfred Hitchcock
Hitchcock had a thing for finding new talent, a young blonde named Tippi Hedron can thank Hitch for putting her in the role that would forever shake our belief in man's superiority on Earth. The Birds is a unique story, it starts out as a simple chance meeting between a man and woman. Her curiosity in this handsome stranger would lead to her following him home to a sleepy port city of Bodega Bay. With her arrival begins the real story, a strange series of bird attacks that are sudden and strangely seem deliberate. The two do meet up and the chemistry between them is quite funny at times. When a birthday party is suddenly interrupted by a series of attacks the real action unfolds. The whole town is held hostage by millions of attacking Sea Gulls who appear out of nowhere and unleash a hell of fury. With the family trapped in the house and held at siege we see the love develop between the two as their guard is dropped and emotions flare. The bird attacks are a real treat and one can revel in the fear caused by seemingly harmless animals. Hitchcock had a way of taking normal people and having them encounter abnormal situations. The movie does not explain why the attacks occur and the ending leaves the viewers wary, as there is no normal "The End". Maybe the ending is even more real then we would like to hope for.
Now where's that bad ole putty-tat!

Black Sunday (1961) Italy

Dir- Mario Bava
A witch is burned at the stake wearing an awfully painful looking mask and then returns a hundred years later to exact revenge. The witch is now a vampire and with her servant bid the devils wishes and takes the form of a princess who happens to resemble her. This film was the first and best of Italian maestro Mario Bava and with his excellent cinematography and hauntingly shot in black and white, Black Sunday was both a cult and critical hit. The film was subsequently retitled a number of times for the international market and was picked up by the American International Picture Company (AIP) who botched it slightly with some revisions but more or less left a brilliant film. An outstanding first film from one of the great Italian horror masters who would deliver a number of other horror classics.

Carnival of Souls (1962) US

Dir- Herk Harvey
A Church organist survives a car crash and finds herself followed from Kansas to Utah by a pale-faced stranger. The woman arrives to her destination and shacks up at a boarding house and soon enough she encounters some of the locals. She has a hard time relating to people around her and is strangely drawn to a crumbling lakeside pavilion. Once there the woman encounters dancing couples that may or may not be living. Is this woman facing genuine ghosts or is she among the living dead? The Carnival of Souls is both haunting and influential, being a low budget film shot by an amateur director makes it even more of a horror treasure. Although it was lost in obscurity it has found a whole new audience with showings at art house festivals, late night TV and video. A unique and truly creepy film that is best known as the inspiration for George Romeros all time class terror classic Night of The Living Dead. One wonders what other great creepy movies await a new audience
I recently purchased a copy of this wonderful movie for $5. It is such a great film that I must require each of you to watch it before you go any further.

Conqueror Worm, The (1968)

Dir- Michael Reeves
Vincent Price turns in a wonderful performance as a real life witch hunter Matthew Hopkins. His accusations would terrorize and bring fear and death to the citizens of 17th century Puritan England. As the witch hunter, Hopkins knows what he is doing is wrong but feels his evil and greed is serving a higher purpose. In his mad quest Hopkins commits acts of murder with no resistance, yet he soon finds himself pursued by a noble soldier who is brave enough to stand up to his evil deeds. This was the last film of Michael Reeves and in it he contrasts the beautiful scenery of rural England with the bloody violence of the very religious inhabitants. AIP retitled the film and tried to market it under it series of Edgar Allen Poe stories. You know they can never leave a wonderful movie alone, lord knows what they would have done with Psycho.

Day of the Triffids, The (1963)

Dir- Steve Sekely
As absurd a title as it is this is a classic shocker that carried over from the alien/communist craze of the fifties. The whole planet is left blind after a comet flies by Earth. In its wake is the blinded population left to fend for themselves with all sorts of serious implications. An accident victim who was bandaged in the eyes has his vision and discovers a shocking aftereffect of the comet, spores that create a creeping plant monster. The plants seem intelligent and he eventually finds a small group of survivors and holes up in a house. As they try to cope with the recent events the plants converge upon the villa, with only an electrified fence keeping it at bay. How long will the fence hold up? Will they have enough power? What sounds like an absurd Saturday matinee is actually a well-made movie adapted from the novel by John Wyndham. I guess a little weed killer might be on store

Fearless Vampire Killers or: Pardon Me, But Your Teeth Are in My Neck, The (1967)

Dir- Roman Polanski
In the tradition of great vampire hunters of the world I would say that the creatures of the night could feel safe knowing that these two bungling idiots are on the loose. Roman Polanski directs and stars in this very funny spoof of Hammer type vampire films of the period. Professor Abronsius and his assistant Alfred (Polanski) travel to a snowy castle where Count von Krolock and a couple dozen vampires host them. As the two bungle their way around the castle they end up waking the dead and have to disguise themselves from the dancing vampires. All goes according to plan until they escape and end up doing something really bad. This horror spoof follows the tradition of Abbott and Costello Meet Frankenstein and plays its humor off the abnormal reaction of the two idiots against the rather normal vampires. Sharon Tate appears as one of the vampires and would eventually become Mrs. Polanski, before her tragic death. Many prints exist including some really awful dubbed versions and some that are cut pretty bad. aka Dance of the Vampires

Haunting, The (1963)

Robert Wise
Shirley Jackson's The Haunting of Hill House proved to be major force in the world of the ghost story and with its adaptation to film we have what may well be the all time best haunted house story. The movie is one of the last in the classic school of fright were the imagination is what gets you. With its gothic scenes and excellent use of shadow, The Haunting is that rare movie that delivers and continues to do so without having to rely on cheap gimmicks or gratuitous gore. A researcher invites a group of people to stay in the Hill House to determine if it is indeed haunted. We have two women, one an unmarried spinster, the other a free spirited lesbian. Both women have had psychic occurrences in the past and the spinster seems to have been taken by the house, her purpose in life is complete as she looks forward to becoming its caretaker. Yet the house does posses her and in a tragic turn of events claims yet another victim. Whether the house is haunted is undeniable, the actual spirits are not seen but make their presence felt in some of the most frightening scenes involving the classic school of "Fear of the Unseen" that filmmakers like Alfred Hitchcock were best noted for. The photography and setting are wonderfully distorted and used to create a sense of fear and sheer terror. It is undeniable that this movie is one of the best made films in the Horror genre and regretfully we may never see another like it in our world of FX and all out gore. I highly recommend this movie to any movie buff to help show what real terror is all about, but make sure you are not alone.
Alright, go rent it and see for yourself why I feel it is the best!

House of Usher (1960) aka The Fall of The House of Usher

Roger Corman
This was the first of a cycle of adaptations of Edgar Allen Poe's stories by Roger Corman. Vincent Price plays Roderick Usher, the lord of a crumbling manor who wishes to hold his family together just as long as he can. His younger sister lives with him and tensions arise when her fiancée appears. The house literally falls apart around them as the strong wills of Usher and the fiancée clash. As with many of his later Poe adaptations, Corman would make good use of available sets and shoot great films with such skill and carefully rework a lot of footage in his later films. Vincent Price is his usual excellent self, even when he is off camera. Good photography, score and the venerable Price make it a worthwhile feature.

Innocents, The (1961)

Jack Clayton
First-rate thriller based on Henry James' The Turn of the Screw, with Kerr as governess haunted by specters that may or may not be real. The apparitions invading the house result in her terrorizing the children in what she believes are made up stories. Unlike The Haunting, The Innocents shows apparitions to avoid possible conflicts with actual ghosts and those of a psychological nature. Script by William Archibald and Truman Capote, brilliantly realized on film. James's short story remade in 1992.

Kwaidan (1964) Japan

Masaki Kobayashi
With a title translated as "Ghost Story" this Japanese production made use of traditional folk tales to spin visions of terror and fear. Kwaidan presents four tales featuring ghosts and spirits of Japanese lore, in the first a poor samurai leaves his house and wife to serve a rich warlord only to come back and find his first wife waiting as he left her, the second a blind minstrel recounts an epic battle before a noble ghostly audience only to have his life force being drained, the monks who care for him paint incantations on him as a protective measure but forget one important detail, the third a woodcutter meets death and must keep her secret or face instant death. Finally a man sees a face in a bowl and cannot avoid its dire message. Each film gives a great feel of the supernatural and makes great use of atmosphere and setting to bring the viewer a genuine feeling tale of terror and shock. Although a flop in Japan the movie would later attain cult and critical success outside of Asia. In its American release they left one story out to cut down on time, as this is a long movie, pity that they cut a movie that is such a masterpiece of horror. Thanks to the Cannes film festival and an excellent video release we can admire this film in its glory.

Little Shop of Horrors, The (1960)

Roger Corman
Gotta love those low budget Roger Corman movies and Little Shop is a prime example of what it takes to make a great movie for such little money. Filmed in a surprising 2 days, this movie is a simple boy meets girl, boy meets killer plant story. Seymour is a lonely orphan living in skid row; he works in a flower shop and has a unique hobby in plant hybrids. The result is a Venus flytrap like plant he names Audrey II, after the pretty girl he works with. Well it seems Audrey II has a craving for blood, and when Seymour can't provide enough of his own blood he goes out and commits some klutzy murders to feed Audrey II. To help move the story along we see a slew of kooky characters including a flower eater and a young Jack Nicholson as the masochistic dental patient Wilbur Force. The success of this low budget cult hit would lead to a successful stage show and ultimately a 1986 movie that featured Rick Moranis and Ellen Green as Audrey. All versions are very well made yet kudos go to the original for the sheer originality and great production values. Feed me Seymour!

Masque of the Red Death, The (1964)

Roger Corman
Roger Corman best known for cheap and quickie movies used his influence to put out a number of well made stories based on Edgar Allen Poe tales. Vincent Price stars in this one as the evil Prospero, an Italian prince who worships the devil. With the town's people dying of the "red death", the king seals himself and his followers in the castle and ride out the plaque. While thousands die outside, a lavish masquerade is held complete with music and costume. Prospero notices an odd character and when confronted the red stranger reveals a most frightening form as his followers fall to the deadly plaque. Roger Corman made good use of the standing set from Beckett to produce this film in a mere six weeks. The productions values are top notch and acting is quite good for its budget, especially Price. As with many of his Poe production this film actually combines a number of Poe stories (Hop Frog, Red Death) and with this film Corman would deliver his best of the Edgar Allen Poe series. Acting nods to Hazel Court who almost upstages Price. A recommended delight!

Night of the Living Dead (1968)

George Romero
Horror Fans of the sixties had some pretty great horror movies from the likes of AIP, Hammer and Hitchcock. Yet what if a movie could be made using very little money, no name stars, simple sets and a daring set of producers who wish to make a really creepy movie. Shot entirely on location in Pennsylvania a young Director by the name of George Romero would accomplish this task and forever change the name of horror. Night of The Living Dead starts out with a brother and sister visiting a grave of their mother. Both seem preoccupied with other matters and we get some great teasing from the brother to his sister. Just then a stranger who seems to be in a dazed state attacks them. Barbara soon runs away and heads to a lonely farmhouse. Here she meets Ben and a small group of stragglers. No one is aware of what is occurring and there is a lot of confusion at hand. Ben takes command and has everyone board up the house, yet he has friction with the father who is more concerned with saving his own hide. That night is filled with every imaginable horror, as many die and there is blood and gore not seen outside of a HG Lewis movie. The climatic finale is both intense and disheartening, yet as they say "that's life!" Never in the annals of movie history has one movie made such an impact on the horror scene, not really released in the mainstream, Night of the Living Dead existed on the art house and cult movie circuit until it was discovered and put into major release. Even to this day it still remains one of the best and scariest movies ever made. Followed by multiple sequels, countless Italian copycats by Lucio Fulci and Mario Bava and whole generation of remakes. This is the quintessential zombie movie and we are quite pleased to have had the pleasure.

Onibaba (1965) Japan aka Devil Women

Kaneto Shindô
Like the engaging Kwaidan, Onibaba is a Japanese period piece that uses eerie scenery to spin a creepy tales of terror. It seems that there is a terrible thing happening to deserting samurai warriors. The coward samurais yield a bounty for a pair of women who sell the armor for profit, while they dump their bodies in a nearby pit. Yet when the young woman falls for one of the intended victims her mother in law devises a scheme to scare the young man away. She takes a demon mask from one of the dead soldiers and puts it on, however the plan horribly backfires and the mask is permanently attached to the woman. The attempt to smash the mask reveals the real terror underneath.. Onibaba is an engaging and well-made film that uses good imagery and eerie plot to spin a tale of sinister dealing and the price one pays for their evil deeds. The marshy plains, overgrown weeds and sharp moonlit evenings lend heavily to the well-staged ambushes by the two women that are filmed with absolute mastery. Well worth the trouble in locating this obscure Japanese chiller.
Its a shame we don't see too many of these foreign films at Blockbuster.

Pit and the Pendulum, The (1961)

Roger Corman
Vincent Price plays a Spanish lord who is visited by his brother in law and told of his sister's death. The sister is actually alive and schemes with her lover to drive her brother mad. Well Price has the upper hand and makes good use of the torture devices built by his father who was an inquisitor during the Spanish Inquisition. All three actors seem out of water as Price is somewhat hooky, John Kerr very wooden and Barabara Steele is underused. What saves the film is Corman excellent use of creative sets; great photography and some decent special effects that make the film look more expensive then it was. Kudos go to the title scene, gotta love that swinging blade and Prices sinister taunting.

Psycho (1960)

Alfred Hitchcock
A whole library has been written about this film and even after 35 years it continues to shock and entertain just as much as it did when Alfred Hitchcock first spoke of the Bates Motel. Everyone knows the story, a young beautiful woman named Marion Crane (Janet Leigh) has just embezzled a large sum of money, she drives away and stops at an off the road inn where she meets the shy Norman. In the short time after we meet Norman we notice him to be a bit weird, speaking of his mother. To many viewers this was a standard crime story, but were they ever in for a shock! In what has to be the most infamous and eventful 60 seconds in cinema history we see the main character go down with the quick flash of a blade and a scream that would run down our spines. The movie then shows its true colors, Is Norman the killer or is it his mother? The sister of the Marion pays a visit to determine what happens and we then encounter the second gruesome murder, as an investigator wanders too far into the house. The final climax would forever leave an impression of fear and shock to audiences of all ages. Psycho was such a dramatic film that Hitchcock refused to let critics review it for fear of giving away its climax, and he even went as far to demand viewers not to divulge it. This was very much the same technique used a decade before on Diabolique, which was an inspiration for Psycho. One thing was for certain; Psycho was both a critical and financial success. Spawning so many imitations and a few decent sequels in the 80's. Curiously, Robert Bloch wrote the story based on the accounts of serial murderer Ed Gein, which was also the inspiration for Tobe Hopper's classic The Texas Chainsaw Massacre and another film named Deranged. Either way we can thank Hitchcock for giving us one of the best horror movies ever.
Anyone out there who feels this movie is not the best horror film should be sent to the Bates Motel!

Repulsion (1965)

Roman Polanski
This was the first English language film by Roman Polanski and it would be a memorable one at that. The story is a unique and powerful tale of isolation and intense sexual repression. A woman is left alone in her flat and the paranoia that develops leads to massive delusions and psychotic tendencies. Her hallucinations are marked with paranoid fantasies that lead her to homicidal tendencies. When visited by friends her fear transpires into actions that are quite shocking. Her boyfriend and landlord meet her and both fall to her paranoid delusions. When her sister returns she is found catatonic, the flat a mess and lying next to her two victims. Repulsion is a cinematic triumph for director Roman Polanski, the movie is stylish and creative in its portrayal of a maddening paranoia. The result is one of shock and utter terror. Considered by many to be the best psychological terror film next to Psycho. A must see for those who demand quality terror!

Rosemary's Baby (1968)

Roman Polanski
What price is someone willing to pay for fame and glory in the film industry. Well it seems that Guy is willing to give up the soul of his first-born. A young and pre-Woody Mia Farrow plays a lovely housewife who finds her hubby hanging around a spooky collection of people who are awaiting her baby's arrival. Rosemary does a little research and is shocked to discover that her child is to be the anti-Christ. Gimmick filmmaker William Castle produced this film that was based on the novel by Ira Levin and directed by Roman Polanski. In the course of the film we watch Rosemary's delight turn into utter shock as her child is taken from her and told it has died. Strangely her maternal bond leads her to the coven of followers and it is here her worst nightmare is made even more unimaginable. Her child is alive and has the eyes of his father, Satan that is. Ruth Gordon won an Oscar for her role as on of the coven. A classic that predates the more gore infested Omen and Exorcist in the demonic possession genre.

Spirits of the Dead (1968)

Three separate Poe tales are adapted by three unique directors, impossible to describe, delightful to watch, done with skill and flair by three top directors.

Targets (1968)

Peter Bogdanovich
Peter Bogdanovich would make his directorial debut in a film that would wonderfully blend old world horror with that of the modern horror. Boris Karloff plays an aging horror star who is disgusted with the way horror has changed and how the real world seems even scarier. At the same time a young man goes on a crazy shooting spree, he is indeed the very real monster that Karloff fears. The climax has the mad killer shooting up the premiere of Karloff's last film. Peter Bogdanovich delivers what may be his best film and creates a masterfully suspenseful film that carries a strong anti-gun message while giving Boris Karloff and excellent send off. Karloff is both heartbreaking and quite funny in his portrayal of an aging horror star of the golden age. The parallels to Charles Whitman with the killer seem all too real in a movie that speaks out on the real terror that await us in a world with sicko nut cases running free and loose.

Village of the Damned (1960)

Wolf Rilla
Excellent adaptation of John Wyndham novel The Midwich Cuckoos. One eerie day the whole town of Midwich, England is left unconscious for 12 hours, leaving many outside thinking they were gassed by some unknown enemy. A few months afterward it is discovered that a large number of women are pregnant. When the time comes all women give birth at about the same time to blonde, emotionless children with strange eyes. They are raised as normal children but they soon display superior intelligence and telekinetic powers. Who knows what evil plans lurk in their twisted little blonde heads??? Very sharp, engaging and eerie thriller which proves that little blonde children should not play together, followed by the equally engaging Children of The Damned and a recent remake featuring Christopher Reeve before his tragic accident.

What Ever Happened to Baby Jane (1962)

Robert Aldrich
One wonders what become of those child stars of the early days of cinema, yet with today's tales child stars gone bad this film seems so much more in touch. Betty Davis and Joan Crawford appear very much against type in a film that would forever change our view of these two cinema queens. Baby Jane was a darling child star who delighted many fans with her cute looks and wonderful singing voice, yet in her home life we saw a spoiled brat who deserved no attention. Her sister was the real star, an early screen queen who played a few memorable roles until a horrible accident crippled her for life. The two sisters live together and both seem sardonic about the mistakes of the past. Jane cares for Blanche but her grasp on reality seems to fade as she commits cruel acts of terror on her sister. It is then learned that Blanche plans on putting Jane into an institution, yet Jane is wise on this and plots to torture her sister. The results are quite shocking and intense. Jane has really fallen off the deep end and seems obsessed with making a comeback as Baby Jane..Go figure! Her rapid fall into delusion would lead to her committing a number of brutal acts, then we are told the truth of the accident by Blanche and we the audience are set back in our sympathy for Blanche. The intense jealousy of Jane ultimately leading to her final act of murder. Although the movie at times seems cliché it still maintains an air of terror and wild paranoia. From its graphic scenes of physical abuse to its strange finale, Whatever Happened to Baby Jane takes its audience down a creepy road of fear and revelation into a world where Hollywood success can drive one to complete insanity. A must see.